MANILA — Dancers from Ballet Philippines brought Lewis Carroll’s whimsical tale to life on stage at The Theatre at Solaire, where audiences arrived early and dressed as characters from the story. The performance kicked off the company’s 56th season with a fresh, full-length ballet adaptation penned entirely by artistic director Mikhail Martynyuk.

Unlike the frantic White Rabbit, theatergoers savored the anticipation. Many donned outfits inspired by the Mad Hatter’s tea party or the Queen of Hearts’ red roses. Champagne flowed alongside canapés in the lobby before curtains rose on February 18, 2026.

Martynyuk’s choreography captures Alice’s tumble down the rabbit hole into a world of eccentric characters. Lithe performers embodied the Cheshire Cat’s sly grin and the Dormouse’s drowsy antics. Sets shimmered with oversized mushrooms and tilting teacups, pulling viewers into Wonderland’s chaos.

The production stands out for its originality. Martynyuk drew no direct inspiration from prior ballets, instead weaving Carroll’s narrative through classical steps fused with contemporary flair. Principal dancer Alice’s wide-eyed wonder shone in solos amid ensemble numbers that mimicked the trial scene’s absurdity.

Audience members buzzed post-show. One spectator, clad in a towering top hat, called it “pure magic.” Families praised the kid-friendly energy, while dance enthusiasts noted Martynyuk’s precise footwork demands on the corps de ballet.

Ballet Philippines, founded in 1969, has built a reputation for blending Filipino talent with global stories. This ‘Alice’ marks a milestone in its anniversary season, which includes other premieres through mid-2026. Tickets for remaining shows sold briskly after opening night.

The Theatre at Solaire, part of the sprawling resort complex along Manila Bay, provided an ideal backdrop. Its acoustics amplified Tchaikovsky-inspired score variations, conducted live by the company’s orchestra. No detail escaped Martynyuk’s vision, from the Caterpillar’s smoke effects to the flamingo croquet mallets.

Performers executed leaps and pirouettes with precision, even in the frenetic Knave of Hearts chase. Critics inside the house whispered comparisons to the company’s past hits like ‘Rama Hari.’ Martynyuk, who joined Ballet Philippines in 2016, aims to elevate its international profile with such ambitious works.

As lights dimmed on the Queen of Hearts’ triumphant rage, applause thundered. The standing ovation lasted minutes. For many, the night evoked childhood reads come alive—curiosity rewarded in every pas de deux.

Upcoming season highlights include restaged classics and new commissions. Ballet Philippines officials said subscriptions are up 20% year-over-year, crediting Martynyuk’s innovative streak. Wonderland’s door stays open at Solaire through the weekend.